How King Tut shaped the art of protest

As a new show explores the 1920s dig, Bel Trew in Cairo reveals how the boy king has become an image of resistance
Howard Carter's drawings were made during the unwrapping and examination of Tutankhamun's mummy
Howard Carter's drawings were made during the unwrapping and examination of Tutankhamun's mummy
© GRIFFITH INSTITUTE, UNIVERSITY OF OXFORD

Click here to view a gallery of rarely seen Times pictures from the 1922 excavation of Tutankhamun’s tomb
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British archaeologist Howard Carter described the moment he first set eyes on Tutankhamun’s glittering funerary mask with quiet reverence. It was 1923; more than 3,000 years had elapsed since anyone had gazed upon the coffin of the 18-year-old pharaoh who had become, he scribbled in his notebook, “little more than a shadow of a name”.

“In contrast to the dark and sombre effect, due to [the anointing] unguents, was a brilliant, magnificent, burnished gold mask of the king,” he wrote. The mournful face of the dead teenager was crowned with a headdress of gold and lapis lazuli; below it was a broad